Husband, Father, Brother, Son, Bridge Builder, Educator, Digital Media Innovator & Strategist. I'm currently an Endowed Chair in Journalism Innovation & Civic Engagement at UO's SOJC's Agora Journalism Center in Portland and the co-founder of A Fourth Act. I previously worked at The New York Times and Second Story.
BACKGROUNDER:
I write on Medium, curate on Tumblr, share links on Delicious and presentation slides on Flickr.
Some excellent thinking here including
ON community leading:
My team aims to transform an audience of passive consumers into active collaborators, and a newsroom of traditional journalists into community leaders, of a sort.
ON recognizing expertise
To dismiss the audience editor’s creative capabilities is to dismiss the audience’s creative capabilities.
On the Engagement Field Guide
There are journalists doing great work to actively engage audiences in the storytelling process. We want to create a more cohesive community where we can compare notes and encourage each other’s work.
Simply spectacular. Inspiring.
Also, extremely impressed that it’s distributed mainly because of its beautiful footage and NOT as yet another drone video. I’m looking forward to the day when technology is in the background and we’re not overly concerned about the how.
“For those who want to do this, I believe one must possess a voracious appetite for knowledge, a maniacal desire to engage with the world, very deep, personal interests that will you to explore issues, places, themes, stories, what have you. And you must have sensitivity, compassion for others, a desire to do good and illuminate. You must read and study and know about the world, especially the subjects you choose to investigate and explore deeply. You must have the reflexes of an athlete in some ways, whether they are fast and responsive, or slow and reflective.”
This statement should be added to all journalism syllabi and curriculum.
The interactive (and analog) lobby display at Portland Then & Now: A Funeral for Old Portland (at Artists Repertory Theatre)
As Americans, we often find ways to cook for each other, to dance with each other, to host with each other, but why can’t that translate into how we treat each other as communities? It’s a devastating irony, how we have gone forward as individuals, and backwards as communities.
Powerful perspective of how we’ve grown as individuals but not as a community. Inspiration talk from Rich Benjamin. Although, there were moments people laughed at the most inappropriate time… IMHO.
This is brilliant. I’d buy a pair. Although, my current specs already looks a bit like Din Light Black.
One piece of data: 142 square feet per person. That’s the ratio of space per person that seems to work best for creativity. It gets a little intense when it gets much lower and the energy drops when it goes higher. How we got to that figure just took time and awareness of how people were feeling and acting.
Interesting data point: 142 square feet per person when designing a new modern office space.
After reading Kondo’s “The Life-Changing Magic of Tidying Up,” my wife inspired me to finally donate this classic relic from Internet 1.0.
Public transport should continue into the night, while neighbourhoods on the city’s fringes should receive basic amenities such as pavements.
That’s right… pavements!
In the new Community Engagement category, the Seattle Times was recognized in the large circulation entries, for its Education Lab, which used guest columns, live chats, public forums and other engagement forms to create a dialogue with the community about fixing public schools. The Alabama Media Group was a joint winner in that category for bringing together a range of voices to address the long history of problems in the state’s prison system.
Congrats to The Seattle Times, Solutions Journalism Network and The Education Lab!
There may be diversity but it’s not the same as having a difference.
On diversity.
This argument for Paycheck Journalism is pretty compelling.
Trickle-Down Community Engagement (TDCE). This is when we bypass the people who are most affected by issues, engage and fund larger organizations to tackle these issues, and hope that miraculously the people most affected will help out in the effort, usually for free.
and…
Every single week, we leaders of color get asked to provide input, to join an advisory committee, attend a summit, to fill out a survey. Because of this well-intentioned mandate to engage with communities, we get bombarded with requests to do stuff for free.
Trickle-Down Community Engagement is pretty dangerous, for several reasons. When people who are most affected by issues are not funded and trusted to lead the efforts to address them.
Must read.
I think it’s just rewarding me for not being dead. I get rewarded for walking to the fridge. I get rewarded for having a pulse. My dog likes to defecate in my tomato garden, which I deal with by shoveling his dried turds over the fence and into my neighbor’s hot tub. I even get rewarded for that. I get rewarded for my airborne caca missiles. Achievement unlocked. Thanks, Apple. You’re the best. Caca missiles are the best. I am never taking this fucking watch off.
Hilarious!
Just discovered Current’s The Pub podcast recently and binging on its past episodes. I thoroughly enjoy Adam Ragusea’s tone and humor. This particular episode caught my ear. For anyone interested in public media and podcast, it’s a must listen.
… your phone offering up music when it thinks you’re about to go for a run, or an audiobook when you get in your connected car.
I recall Robin Sloan and Matt Thompson coined this as “media moments” years ago.
Badges indicate specific skills and knowledge, backed by links to electronic evidence of how and why, exactly, the badge was earned.
Intriguing idea.
Digital natives are not consuming the news to be informed citizens; they use it to build connections, start conversations, make decisions and take actions that benefit their lives or the world.
With subscription VOD, creators can still set their own prices for access to content and they’ll still get 90 percent of all revenues booked each month.
Vimeo Now Lets Creators Launch Their Own Subscription Video-On-Demand Channels | TechCrunch
Good or bad for documentary filmmakers?
(via The Pencilsword: On a plate - The Wireless)
The rest of the story on The Wireless. File under #privilege and #equitydisparity
Redefining the Tiny Home. This changes everything… although I think I’ll still need a water line or some sort of water reserve. It is a fascinating option for the desirable living with less lifestyle.
Film really expressed a reality that we don’t see in the digital world. It’s so easy to take something out of a frame. To highly polish a frame. She really wanted to get at the essence of what was there in front of us.
Joni Kabana on Mary Ellen Mark
(via Megan Smith: The Untold Story of Women Who Code (Apr. 29, 2015) | Charlie Rose - YouTube)
There are these incredible photographs from the launch of the Macintosh in the 80’s, and the Rolling Stone pictures that were published. The historic record shows this group of 10 people in a pyramid–actually 11, seven men and four women. Every photograph you see with the Mac team has Joanna Hoffman, who was the product manager, a great teammate of Steve Jobs, and Susan Kare who did all the graphics and user interface on the artist side. None of them made it into the Jobs movie. They’re not even cast. And every man in the photographs is in the movie with a speaking role. It’s debilitating to our young women to have their history almost erased.
This. Must. Change.
Since coming to Portland in the fall of 2012, I am often asked if I miss living in New York. My quick and knee-jerk response is almost always a “no” as I find that Portland offers easier access to many of the things I value (community, culture, nature and work) without the challenges of living in NYC (high-cost of living, fast-pace and grime).
This video reminds me of one of the things I miss. The opportunity to call up friends who live in NYC, like Bob Sacha, for a coffee or a glass of wine and feed my soul. (To be clear, I enjoy and find it easier to grab coffee or beer with an amazing network of collaborators here in Portland.) There’s just all kinds of goodness in this interview:
There’s also an emotional and spiritual way of judging it (work). So maybe you only made $500 but spiritually you have this amazing amount of richness. So is that a net-loss for the year? For me, it’s not.
I miss our chats, Bob! Thanks for your wisdom in this interview.
Bob Sacha is an award-winning photographer, multimedia producer, documentary filmmaker, editor and teacher who first made his name as a magazine photojournalist. As a contributing photographer at both Life and National Geographic Magazine, he covered a variety of assignments around the world for more than 25 years, from New Orleans and New York City to China and Easter Island.
File under Academia. Some great messaging for incoming college students.
On transition from high school or other institutions:
However, things are very different for a university professor. It is no part of my job to make you learn. At university, learning is your job — and yours alone. My job is to lead you to the fountain of knowledge. Whether you drink deeply or only gargle is entirely up to you.
On lecturing vs flip-classrooms:
The kind of listening you need to learn is not passive absorption, like watching TV; it is critical listening. Critical listening means that are not just hearing but thinking about what you are hearing. Critical listening questions and evaluates what is being said and seeks key concepts and unifying themes.
And finally, on purpose:
You see university as a place where you get a credential. For your professor, a university is not primarily about credentialing. Your professor still harbors the traditional view that universities are about education. If your aim is to get a credential, then for you courses will be obstacles in your path. For your professor, a course is an opportunity for you to make your world richer and yourself stronger.
Some great and classic quotes here, including:
In many parts of this world, doing real journalism is activism—because truth telling in some societies is an act designed to bring about change.
and
… helping people understand they world they live in, so they can make better decisions about how they live.
and
We should be openly biased toward openness and freedom. Period.
We should be openly biased toward openness and freedom. Period.
Journalism + Activism
Our goal at The Upshot is to be agnostic about the form that journalism should take. We don’t start with a belief that journalism must start with an article and that everything else is in a supporting role. We won’t always make the right decision about which forms to use and emphasize — but the same is guaranteed to be true if we give short shrift to the tools that digital journalism has created.
Leonhardt: one of the best.
That it will realize it’s meant to be a playground for all people, not just the rich ones. That balance and opportunity will be restored for all residents, not just a select few. That it’s worth slowing down and taking the time to question the changes and really examine if they’re good for everyone or just the elite ones.
Believe me…. there’s life after SF & NYC.
And yet the Times will continue just fine without me, because it is an entire organization of unique talents.
The reality. Also felt the same when I left.
There’s an unkind saying, “Those who can’t do, teach.” I’d offer a rewrite: “Teaching well forces you to stop doing things, and focus on helping others do things.” I build less, and write less, than before I came to MIT. But I coach more, listen more, and I’m starting to love the experience of watching projects I help advise coming to life.
I’ve never liked that saying either… and don’t agree with it. Once you stop doing, you’ve stop solving problems in the real world… thus stop truly learning. There needs to be a balance of research and practice, either as individuals or as a team.
Local journalism organizations cannot thrive without a fully engaged community of readers who are invested in the work you do.
Great stuff.
When nonviolence begins halfway through the war with the aggressor calling time out, it exposes itself as a ruse.
Enough said.
We describe this shift as one toward Inclusive Competitiveness — an interdisciplinary framework to improve the productivity and performance of underrepresented Americans within the 21st century’s Innovation Economy.
I just need you to listen. You don’t have to say anything if you don’t want to, but instead of forming an opinion or drawing a conclusion, please let me tell you what I hear.
Windows and the Office suite of productivity software continue to print money, especially from corporate customers, despite a spate of premature obituaries.
Our policy requires attribution, and any time we fail that policy is inexcusable. It’s a betrayal of what makes the web positive-sum. Silver’s right to be upset by it. He has my apologies.
Seems like a fair apology.
It’s both a revealing glimpse into a music scene that fell below the media and mainstream radars and a fascinating ethnographic study of the Filipino immigrants to set the foundation for it.
What a blast from the past. I often wondered what happened to members of the ol’ mobile DJ crews back in the day and how much we applied the life lessons of our youths to how we live now. The bonds we made then served us for a lifetime.
Not everything that can be counted counts, and not everything that counts can be counted.
Always important to know where you’re going and from where you came from #hyperlapse #sanfrancisco
It isn’t enough for us to leave our audiences “informed, but ineffective,” argues Ethan Zuckerman, director of the Center for Civic Media at MIT. “If we’re stuck in a paradigm where we inform citizens, then declare our work done, we’re failing in our public service duties.”
… if we allow our reverence for abstract academic ideals to paralyze us or make us overly fearful of change, we will become irrelevant.
File under: truth in academia.
An estimated 94 million Americans over the age of 12 listen to online radio each week, according to a 2014 study by Edison Research.
Yes!
Netflix is fond of saying it hires only “fully formed adults,” and the company treats them as such — bestowing on them great amounts of freedom so they can take risks and innovate without being bogged down by process.
Corporate courage.
Journalism education needs to be about discovery, about constantly learning how to learn.
Isn’t that true about education in general? Excellent and must-read report.
DeVigal is the inaugural Chair in Journalism Innovation and Civic Engagement and the first professor of practice in the University of Oregon's School of Journalism and Communication (SOJC). The Agora Journalism Center is devoted to transformative advancements for better journalism and stronger democracy. The center energizes research, teaching and learning fostering a culture of constant innovation and diverse collaboration to serve the public good. DeVigal also served as the multimedia editor at The New York Times, where he helped guide the newspaper’s print-driven format into the multimedia era. He integrated new approaches to interactive storytelling with The Times’ long tradition of journalistic excellence to help shape the industry with techniques still in use today.
With Laura Lo Forti, DeVigal is the co-founder of A Fourth Act, an interdisciplinary collective of storytellers, facilitators, researchers, designers and technologists using stories and technology to empower audiences in becoming agents of change in their communities.
DeVigal is an Emmy-award winning innovative strategist who builds bridges by connecting ideas and people together to produce meaningful and interactive stories. He uses his extensive reach into various disciplines to connect the right people to collaborate and produce extraordinary work. With his exceptional knowledge of the possibilities and deeply innovative forward thinking, DeVigal has consistently demonstrated his ability to lead teams, engage audiences through purposeful user experiences, and invent creative new approaches to interactive storytelling.
Specialties: innovating and strategizing digital media, synthesizing ideas, bringing together and leading disparate teams, solving problems, engaging audiences, telling multimedia and interactive stories, designing experiences with user-first focus, managing projects and fostering a climate of collaboration.
The Independent Television Service (ITVS) funds, presents, and promotes award-winning documentaries and dramas on public television and cable, innovative new media projects on the Web, and the Emmy Award-winning weekly series Independent Lens Monday nights at 10:00 PM on PBS.
Based at the George S. Turnbull Portland Center, the Agora Journalism Center will bridge SOJC’s programs in both Portland and Eugene. Through the center, DeVigal and SOJC faculty will foster new programs and projects that advance public interest journalism, communication and the student experience. The Innovation Center will develop new models of journalism that engage citizens and build stronger and more effective communities.
A Fourth Act is an interdisciplinary collective of storytellers, facilitators, researchers, designers and technologists using stories and technology to empower audiences in becoming agents of change in their communities. By honoring the knowledge of the community and our roots are in storytelling and journalism, A Fourth Act will work with you to build engagement from the ground up.
Tiny Spark is an independent news program and podcast that reports deeply and constructively on philanthropy, nonprofits, international aid and for-profit social good initiatives. Founded in 2011 by former Africa correspondent Amy Costello, Tiny Spark stories have included an investigation into TOMS Shoes and exposed the harm caused by medical volunteers in post-quake Haiti. The program also features in-depth interviews with leading voices from the world of international aid and development.
In addition to providing creative and strategic direction, DeVigal instilled innovative methodologies to storytelling and audience engagement, orchestrated diverse team talents and fostered collaboration across the studio. He also led the content strategy team where he led the vision to put story first in every studio project. One particular lab-driven project he envisioned and brought to life was Shape of Story: an interactive screening experience that used a mobile web application to capture and visualize audience feedback in order to spark meaningful conversation about the content.
DeVigal was instrumental in helping to shape the overall transformation of The New York Times from print to digital by fostering an innovative and collaborative environment. Working closely with editors and reporters across disciplines of graphics, video, photo and technology, he pioneered new approaches to interactive storytelling while maintaining his commitment to journalistic integrity. He hired and managed a staff of multimedia journalists and technologists whose projects received many accolades including a Dupont and Emmy awards. Through his extensive reach, DeVigal expanded the team across disparate industries including radio, tech and motion design. And he helped conceive and produce story forms and processes that still influence The New York Times today.
During his four-year tenure at his alma mater’s journalism department, DeVigal had the privilege of working with a passionate faculty and was given the opportunity to push the curriculum in online storytelling and visual journalism. He led the online capstone class and published Xpress Online which won several online awards and received industry-wide recognition. During this time, he also conceived and created Interactive Narratives.
As co-principal of DeVigal Design, a graphic design and web consultancy firm based in the San Francisco Bay Area, DeVigal received many accolades for its design work, particularly his hand in redesigning several online publications including The Honolulu Advertiser’s website, Albany’s (NY) The Times Union web site, The Associated Press, Newsday.com and several start-ups in Silicon Valley. Founded in 1998, DeVigal Design created award-winning visuals in print, online and interactive design. At the core of their success has been an interdisciplinary focus that draws on their combined experiences in fine arts, technology, business and journalism.
DeVigal was a Poynter Fellow, the longest in its history, from 1996 to 2004. In addition to leading countless design, graphics, photojournalism and interactive storytelling seminars and programs, he was a research associate and co-program director for The 2000 Stanford-Poynter Eye-track Research Project which studied online news site consumers.
DeVigal was an interface producer, UX and visual designer for Knight-Ridder New Media web sites. He created graphics using Illustrator and Photoshop, coded in HTML and javascript to develop and shape the user experience for KRNM's products and services including Inkling, Just Go, CarHunter and Real Cities. DeVigal also collaborated with project managers and third party technology vendors such as Zip2.
DeVigal designed the early look and feel of Internet Chicago Tribune. Along with being the interface designer for the entire web site, responsibilities included producing web-enhanced story packages working with editors, reporters, photo and graphic editors. He designed and helped produce the groundbreaking Crimes Package in 1996. The package allowed visitors to enter their zip code or click on an interactive neighborhood map to get a visual representation of the crimes reported in their neighborhood. This interactive database-driven story package was the first of its kind.
As a graphic journalist, DeVigal illustrated and produced informational graphics, illustrations, charts and maps under tight deadlines on a daily basis.
As a staff artist, DeVigal converted AP graphics and produced original informational graphics, illustrations, charts and maps under tight deadlines on a daily basis.